NEUROAESTHETICS
investigating Sensory amplification in classical voice performance
Hypothesis: Adding extra sensory experiences during classical voice performances enhances the audience's understanding and connection to the music and the overall performance
Recital # 1
Perfume
melodies intertwine with the evocative scents that waft through the air, creating a symphony of olfactory delights that transport you to ethereal realms of fragrance and emotion. In this immersive sensory experience, each composition harmonizes with the aromatic tapestry, unveiling an intricate narrative where music and scents entwine, awakening forgotten memories and weaving a mesmerizing journey through the evocative power of aromatology.
Recital # 2
Feast
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Music begins where the possibilities of language end. - Jean Sibelius
Music begins where the possibilities of language end.
Music begins where the possibilities of language end. - Jean Sibelius Music begins where the possibilities of language end.
Music begins where the possibilities of language end. - Jean Sibelius
Music begins where the possibilities of language end. - Jean Sibelius
Music begins where the possibilities of language end. - Jean Sibelius
Music begins where the possibilities of language end. - Jean Sibelius
Recital # 3
The World Whispered White
the sun’s angle at this latitude produces deep and contrasty colors, drawing out the blacks in the volcanic soil and saturating the greens from the grasses and moss.
Recital # 4
Soft // Wild
Embark on a captivating recital where the symphony of nature and the elemental forces converge, as melodies intertwine with the essence of American realism, drawing inspiration from the evocative brushwork of Andrew Wyeth, creating a multisensory experience that immerses you in the timeless beauty of the natural world.
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Recital # 6
Everything, in Time
iceland’s surface is carved by water, originating from either its massive glaciers or abundant rainfall.
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